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Price Information
The prices correlate to the size of the picture. Abstracts are on canvas mounted and wrapped around 1¾" stretcher. Prices are quoted separately for custom sizes. |
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| Painting Size (excl. matting & frame) |
Price |
| 9” x 12” | $275 |
| 12” x 16” | $300 |
| 14” x 20” | $400 |
Price Information
I generally work on commission, but I can print any of the above pictures as high quality reproductions as "Giclee" prints onto long-lasting, acid-free watercolour paper.
The prices correlate to the size of the picture. Price generally depends on the size of the picture. Exceptions are when you want wider matting or frame than is the standard. Standard is 2.5" double matting with acid-free backing in wooden frame.
Watercolours are elegantly matted and mounted in a metal frame. If a non-standard frame is desired, the cost will change somewhat.
With Giclee you can always order a larger version. Prices would be quoted separately.
I generally work on commission, but I can print any of the above pictures as high quality reproductions as "Giclee" prints onto long-lasting, acid-free watercolour paper.
The prices correlate to the size of the picture. Price generally depends on the size of the picture. Exceptions are when you want wider matting or frame than is the standard. Standard is 2.5" double matting with acid-free backing in wooden frame.
Watercolours are elegantly matted and mounted in a metal frame. If a non-standard frame is desired, the cost will change somewhat.
With Giclee you can always order a larger version. Prices would be quoted separately.
Bio - About me, David Edwards
My high school did not have art classes. Yet I drew and painted after I got my homework done. My family and background streamed me into a professional career. Yet I always loved art, painting in particular. I loved all kinds of painting, watercolour, oil, acrylic; landscape, portrait, abstract.
What kind should I do? I did all kinds! I went to OCA in 1971. It happened to be a year of upheaval and chaos there where they were all into conceptual art and after the 60's "everything goes". There were only a few classes where one was encouraged to develop primary skills. I didn't have a clear direction but I decided I did not like much most conceptual art, so the only way to satisfy my natural curiosity and wonder about the world was to quit art college and go to University. Went o Queen's in Kingston where I studied sciences mostly. I had great marks and eventually got into Computer Science which started my career in that area. It was good to me but all the while I loved art and painting, which I did continuously. My life took me to Sweden where I lived for 10 years. I learned Swedish and lived as both as a Swede and, with my foreign accent, in many ways, as an immigrant. While there I joined the local artist association and I became the chairman. I became an art teacher in the evenings. I had exhibitions around the Stockholm area, particularly in Kungsängen where our family lived. After returning to Canada, I hadn't had time to paint as much, but I got back into it. I decided |
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